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'Intimate Apparel' offers intimate show in intimate space | The Gazette
The play is set in New York City in and concerns a young African-American woman who travels to New York to pursue her dreams, becoming an independent woman as a seamstress.
Directed by Daniel J. Dickson , and Corey Stoll Mr. The time is , the place New York City, where Esther, a black seamstress, lives in a boarding house for women and sews intimate apparel for clients who range from wealthy white patrons to black prostitutes.
Her skills and discretion are much in demand, and she has managed to stuff a good sum of money into her quilt over the years. One by one, the other denizens of the boarding house marry and move away, but Esther remains, lonely and longing for a husband and a future.
Her plan is to find the right man and use the money she's saved to open a beauty parlor where black women will be treated as royally as the white women she sews for.
By way of a mutual acquaintance, she begins to receive beautiful letters from a lonesome Caribbean man named George Armstrong who is working on the Panama Canal. Being illiterate, Esther has one of her patrons respond to the letters, and over time the correspondence becomes increasingly intimate until George persuades her that they should marry, sight unseen.
Meanwhile, Esther's heart seems to lie with the Hasidic shopkeeper from whom she buys fabric, and his heart with her, but the impossibility of the match is obvious to them both, and Esther consents to marry George. When George arrives in New York, however, he turns out not to be the man his letters painted him to be, and he absconds with Esther's savings, frittering it away on whores, liquor, and gambling.
Deeply wounded by the betrayal, but somehow unbroken, Esther returns to the boarding house determined to use her gifted hands and her sewing machine to refashion her dreams and make them anew from the whole cloth of her life's experiences. She's an actor's gift with sly one-syllable humorous punch words; poetic paintings of physical and emotional landscapes; dramatic conflict that pulls no punches and is not afraid to make sympathetic characters unsympathetic; and an intimate knowledge of loneliness and passion.
The Two River production, expertly directed by Seret Scott, shows off its multiple facets: a rich, vivid portrait of turn-of-the-last-century New York; a feminist lament of intelligent, talented women defined and controlled by men; a soft-focus glimpse into the beating hearts behind the archives of African-American life a century ago.